![]() Rather, Atget would simply remove the cap from the lens and capture the scene before him, allowing any motion to appear as a blur. view camera that was fitted with a brass rectilinear lens and had no shutter. Atget produced glass plate negatives, using an 18 x 24 cm. For the next thirty years, until just a few short months before his death in 1927, Atget undertook a systematic documentation of the city of Paris, creating approximately five thousand negatives and nearly ten thousand prints.īecause he refused to work with the latest advances in photographic technology, Atget’s images evoke a sense of timelessness, due in part to the slower exposure times and the pre-visualization of the final image that was required. After minor success as an actor, Atget abandoned the stage and at the age of forty took up painting, then quickly turned to his true life’s work as a photographer. Upon his return from the sea, Atget turned to the stage and pursued an acting career in provincial cities and later in Paris suburbs. Born in 1857, in Libourne near Bordeaux and raised by his uncle, Atget’s youth was molded by his time as a sailor.
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